Whether the fire is real, the fantasy ending of the protagonist's novel, or some meta combination of the two, one thing is for certain: These last moments play out extremely differently in Julia May Jonas' original novel.
吳國坤認為，問題已不單純在於電檢，而是院線不敢上映，「這件事是一種心理，已經不能用明文的規則說得很清楚的事情。」
，这一点在同城约会中也有详细论述
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